Wolfgang A. Mozart: Sonatas
Sonata C major KV 14, Sonata C major KV 303, Sonata A major KV 402, Sonata A major KV 526
backAnnette Unger Violin
Brunhild Webersinke Piano
Michael Pfaender Violoncello
GEN 87524 EAN: 4260036255249
23.11.2007Special offer11.90 € 9.90 €
C & A, but also E-flat & A-flat had absolutely concrete, lively significance for both the “old Bach” and the wunderkind Wolfgang Amadeus Mozart. A specific character was attributed to each key, along with a clearly defined effect. The three artists on the present GENUIN-CD bring off these effects in masterly fashion on the musical stage: C major is presented directly and clearly, A major enthusiastically and sensually. Annette Unger (violin) and Brunhild Webersinke (piano), supported by Michael Pfaender (violoncello), bring Mozart’s violin sonatas from various creative periods to life with ardour and perfection. The arch extends from the schoolboy’s first compositional attempts to the masterpiece of his final year. And even here, forty years after the death of Johann Sebastian Bach the not merely “baroque” sound character is ever-present and the listener is moved by the lively musical personalities so clearly expressed in tones.
Audio Player
Tracklist
- W. A. Mozart
Sonata C minor KV 14
Allegro - Allegro II
- Menuetto I – Menuetto II en Carillon
- W. A. Mozart
Sonata C minor KV 303
Adagio – Allegro molto - Tempo di Menuetto
- W. A. Mozart
Sonata A minor KV 402
Andante, ma un poco Adagio - Fuga. Allegro moderato
- W. A. Mozart
Sonata A minor KV 526
Molto Allegro - Andante
- Presto
C & A, but also E-flat & A-flat had absolutely concrete, lively significance for both the “old Bach” and the wunderkind Wolfgang Amadeus Mozart. A specific character was attributed to each key, along with a clearly defined effect. The three artists on the present GENUIN-CD bring off these effects in masterly fashion on the musical stage: C major is presented directly and clearly, A major enthusiastically and sensually. Annette Unger (violin) and Brunhild Webersinke (piano), supported by Michael Pfaender (violoncello), bring Mozart’s violin sonatas from various creative periods to life with ardour and perfection. The arch extends from the schoolboy’s first compositional attempts to the masterpiece of his final year. And even here, forty years after the death of Johann Sebastian Bach the not merely “baroque” sound character is ever-present and the listener is moved by the lively musical personalities so clearly expressed in tones.