Senza Basso — Auf dem Weg zu Bach
Works by Baltzar, Matteis, Westhoff, Torelli, Corelli, Vilsmayr, Pisendel, Purcell and Biber
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GEN 21728 EAN: 4260036257281
9.4.2021Special offer18.90 € 16.90 €
Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, too—and it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Torelli wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.
Nadja Zwiener is nominated for Instrumentalist of the Year and Soloist Recording of the Year for Opus Klassik 2022
Early Music Reviews
"The attractive acoustic adding a pleasent bloom to the sound whilst allowing individual notes to shine through. The playing is beautifully sensitive",
Andrew Benson Wilsons' Early Music Reviews, April 28, 2021
Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, too—and it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Torelli wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.
Nadja Zwiener is nominated for Instrumentalist of the Year and Soloist Recording of the Year for Opus Klassik 2022
Early Music Reviews
"The attractive acoustic adding a pleasent bloom to the sound whilst allowing individual notes to shine through. The playing is beautifully sensitive",
Andrew Benson Wilsons' Early Music Reviews, April 28, 2021
Audio Player
Tracklist
- Thomas Baltzar (um 1631–1663)
Prelude - Nicola Matteis (um 1650–1714)
Passaggio Rotto, Andamento Veloce e Fantasia a Violino solo senza basso - Johann Paul von Westhoff (1656–1705)
Suite in a-moll
Allemande - Courante
- Sarabande
- Gigue
- Arcangelo Corelli (1653–1713)
Prelude in A - Giuseppe Torelli (1658–1709)
Prelude in e - Johann Georg Pisendel (1687–1755)
Sonata à Violino solo senza Basso a-moll
ohne Satzangabe - Allegro
- Giga. Variationen
- Arcangelo Corelli
Prelude in D - Nogueira-Manuskript (um 1720)
Fantezia in D - Johann Joseph Vilsmayr (1663-1722)
Partita I A-Dur
Prelude. Harpeggio - Aria
- Saraband
- Gavott
- Menuett
- Aria
- Menuett
- Aria
- Menuett
- Gigue (Presto). Final
- Nogueira-Manuskript
Preludio et Fantezia in F - Thomas Baltzar
Allemande - Henry Purcell (1659–1695)
Prelude in g - Heinrich Ignaz Franz Biber (1644–1704)
Passacaglia (aus den Rosenkranzsonaten)
Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, too—and it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Torelli wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.
Nadja Zwiener is nominated for Instrumentalist of the Year and Soloist Recording of the Year for Opus Klassik 2022
Early Music Reviews
"The attractive acoustic adding a pleasent bloom to the sound whilst allowing individual notes to shine through. The playing is beautifully sensitive",
Andrew Benson Wilsons' Early Music Reviews, April 28, 2021